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Jean de Florette (dir. Claude Berri, 1987) — Review

Despite its initially lush, quirky spin on the 1920s farming life, the course of Claude Berri’s melodrama — in which the theft of water comes to encompass the theft of joy, hope, and other brighter aspects of human nature — has disheartening relevance to Europe a century on.

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No Country For Old Men (dir. The Coen Brothers, 2007) — Review

“McCarthy's ferocious tale gives the Coens room to unleash their cinematic gifts, but keeps them from wandering too far afield and losing themselves in the marshes of technical prowess or easy irony. Like the novel, the film ends on one of these latter moments, with the recounting of a dream. It is a dream about death, but a death more welcoming than feared.”

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The Wicker Man (dir. Robin Hardy, 1973) — Review

Happy 50th birthday to The Wicker Man, the film that has it all: yodelling hipsters, flower crowns, a tweedy eco-fascist who’s still charismatic and chiselled enough to command the viewer’s attention. While the likes of Elon Musk resort to offers of a cage fight to rally their (digital) serfs, back in the day blokes like Christopher Lee’s Lord Summerisle could simply threaten them with crop failure. We were a country, once!

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